HHR New Media, Entertainment and Technology Group

Transparency into how websites use, protect and disclose the personally identifiable information of its end users has been an especially hot topic over the past few years as the use of social networking and social utility sites have grown exponentially in popularity.  So it’s no surprise that end users’ control (or lack thereof) over how their personally identifiable information is used, and the extent of that control, has been giving many in our industry “heart burn” and raising the eyebrows of legislators and governments globally.

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• Late last week,  Judge Louis Stanton of the US District Court for the Southern District of New York ruled that plaintiffs in the high-profile copyright class action case against YouTube could not seek statutory damages for videos that are not registered under US copyright law.   Judge Stanton also dismissed plaintiffs’ punitive damages claim, but did permit claims based on live broadcast footage, which were brought by the English Premier Football League, the lead plaintiff in the case, to proceed.  Continue Reading »

ASCAP is suing AT&T for failure to pay public performance royalties for their sale of musical ringtones. According to ASCAP’s opposition to AT&T’s  recently filed motion, ASCAP rebukes AT&T’s claim that a ringtone is no different than a song downloaded from iTunes and therefore does not require the payment of performance royalties. In response, ASCAP argues that when a ringtone plays to signal an incoming call, the public performance right is triggered in two ways—once when the ringtone is digitally transmitted to the phone (via the streaming transmission/delivery) and again when the song is actually played on the consumer’s phone to the public. According to the filing and a statement released by ASCAP, AT&T, and not the consumer, is then directly liable and responsible for the corresponding public performance royalties because the consumers’ phones are on AT&T’s network, and AT&T controls the entire series of steps that allow and trigger the ringtone performance based on incoming calls. Continue Reading »

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• The Performance Rights Act, which was approved by the House Judiciary Committee on May 13th, would levy fees on broadcasters for airing artists’ recordings. An indication of the heat generated by the debate over the PRA emerged this week when the musicFIRST Coalition, however, filed a complaint asking the FCC to investigate whether radio stations have been boycotting artists that support the PRA. The coalition’s filing accuses broadcasters of airing deceptive spots by portraying the proposed royalty as a “tax” and not airing musicFIRST’s own paid ad endorsements. While musicFIRST did not identify any specific station or broadcaster withholding airplay, the coalition alleged that several stations have refused to play an artist’s music based on his or her remarks or affiliation with endorsing the legislation. Spokesman Marty Machowsky said it would only identify specifics if the FCC initiates the proceeding and agrees to keep the information confidential. Continue Reading »

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• The Electronic Frontier Foundation released a “terms of service” tracker earlier this week. The tracker chronicles older and new terms of service agreements, side by side, and highlights changed provisions. The TOSBack.org site was created in part from an outgrowth of Facebook’s change in its service agreement in February that, under a broad interpretation, provided that Facebook with a license to its members’ uploaded content even after termination of membership. Following criticism in the media and by its members, Facebook backed down and provided for a termination of the license. But the episode revealed the difficulty end users have in evaluating how revised terms of service provisions can have real impact. The “terms of service” tracker currently tracks 44 sites, including Facebook, Google, Wordpress, Data.gov, YouTube, GoDaddy, and eBay. Continue Reading »