HHR New Media, Entertainment and Technology Group

In one of the latest advances in what has been called “a technological arms race between tracking companies and people who seek not to be monitored,” device fingerprinting, a technology originally developed to prevent software piracy and credit card fraud, appears set to become a powerful new tool for online marketers.  But recent calls to increase consumer control of personal information will likely impact how device fingerprinting technologies are integrated into marketing efforts and may slow its widespread adoption. Continue Reading »

On December 9, the DigitalHHR team will be presenting “Forecast: Entertainment in the Cloud”, the next in its on-going series of live, CLE-accredited webinars.  

As the public’s demand for “any content anywhere” grows, entertainment, media and technology companies are turning to the cloud for innovative ways to distribute and monetize content. Through initiatives like digital lockers, streaming to mobile apps, progressive downloading to tablet devices, and other forms of cloud-based storage and distribution, stakeholders are exploring new business models and ways to innovate without compromising the value of content or jeopardizing the rights of content owners to control how their content is consumed by the ultimate end user.

In this CLE-accredited Webinar, we will focus on the critical legal and business issues raised by the expansion of cloud computing and its impact on the distribution and consumption of entertainment content. We will analyze how cloud computing has led to new methods of distribution that give rise to an increased threat of copyright infringement and the recent case law impacting the cloud computing landscape. We will discuss new digital rights management tools, methods of end user, subscriber and purchase authentication. We will explore how stakeholders can balance complying with evolving standards, laws and regulations with the need to exploit new technological advancements that lead to improved services and enhanced end user experiences.

Our New Media, Entertainment and Technology Group at Hughes, Hubbard & Reed will be joined by our UK-based colleagues from the international Technology and Media focused law firm Taylor Wessing LLP. Taylor Wessing will address some key international and European issues that impact cloud models. These issues will include jurisdictional risks, different rights spanning different territories, advertising laws, collecting societies, the European laws on privacy, cookies and liability for cloud platform providers, as well as challenges related to format shifting/uploading consumers’ existing content into the cloud.

The webinar will be held on Thursday, December 9, 2010 from 12:30 p.m. to 1:30 p.m. EST.  To register, please click here.

The recent Wall Street Journal report revealing that some of Facebook’s most popular applications have been leaking user information has brought attention to a little-known corner of the Web advertising business.  And that attention may ultimately lead to substantial changes in the way companies do business both with Facebook and throughout the wider Web. 

The Facebook disclosures were the result of a common Web standard called a referer.  As web users navigate from site to site, the referer tells the new site which page the user is coming from.  Most of the time, this is an innocuous tool used to help websites track the source of their traffic flow and customize user experience.  However, when user IDs are included in web addresses, as is the case with Facebook and other social networking sites, this practice could potentially expose the browser’s identity.  The user IDs can be used to look up public information on the user’s Facebook profile, which, depending on the selected privacy settings, could include anything from the user’s name to his age, hometown, or even photos. Continue Reading »

Recent activities out of Washington have again turned the spotlight on the complexity of protecting privacy in an era of targeted advertising and what role, if any, the federal government might take to implement regulations on the collection and use of data related to consumers’ digital habits.

This week the chair of the House Caucus on Privacy, Rep. Edward Markey of Massachusetts, criticized responses received by the Caucus from several large Web publishers admitting that keeping track of data collection on their sites is technically difficult, if not impossible.  Markey said that while the publishers detail their own privacy policies and opt-out procedures, these are often too complicated for the average consumer to follow.  He also pointed out that a single website may have dozens of firms collecting data through ads on the site and consumers would need to consult the policies of each of those firms to determine precisely what information was being collected and how it was being used.  (We recently wrote about this issue in a previous Digitalhhr post in connection with location-based advertising and Apple’s iPhone app policy.)  Continue Reading »

As we recently reported here, a  new Internet-connected software application, called “ivi tv”, was just released that allows pc, mac and linux end users to stream live feeds from over-the-air television stations to their computers anywhere in the world. Unlike other online content distributors, however, the start-up recently confirmed that it has elected not to negotiate with the copyright holders for the license of its programming, and has instead elected to wager its future on a seemingly liberal interpretation of certain provisions of the Copyright Act (the “Act”), which permit qualifying “cable systems” to rebroadcast over-the-air television signals upon the payment of certain statutorily mandated revenues (see Section 111).

As we suspected, the response from the entertainment community has been swift, and the company has since received a barrage of cease and desist letters from television networks, movie studios, sports leagues, broadcasters, syndicators and others in the entertainment industry alleging that the operation of the service as currently conducted amounts to copyright infringement. In response, the company has now filed a complaint for declaratory judgment in Seattle district court alleging that by complying with the Act’s compulsory licensing scheme in Section 111 “it has not infringed any of the copyrights owned by the any of the Defendants.”

We will obviously keep an eye on future developments as this complaint now moves its way through the court system and the entertainment industry’s forthcoming response.